Author: MihrTheatre

The contemporary dance performance Lavash is the result of the first ever collaboration between Armenian and Israeli artists.

''WE'' inclusive dance performance is based on the discussion of the concept of public unity. The society consists of many layers, and these layers have different problems, but at the same time they need to be united around some issues.

“The Song of a Refugee” is a musical genre among Armenian national songs. It is not only about geographical migration, but also about loss and longing for the homeland.

‘’Black Lines on Grey’’ or ''White Lines on Black'' is a contemporary dance performance created during ''Revisiting the Roaring Twenties 1920/2020: Art, Culture and the École de Paris'' residency at the L'AIR Arts 2020 in Paris, France.

After the 2020 pandemic, the distance began to transform. Social distance, self-isolation, and the most influential – cyber-distance, as life moved into the realm of the unreal. These factors became the basis of the idea: three characters of distance in self-isolation. We measure the universe by the distance of light. Light is also distance. The...

Four parts. Seven stories. Five performers. Three visual artists. Four sound artists.        Three countries – Armenia, Italy, and Canada. “Antanelee” is an immersive multidisciplinary performance that unfolds as a cycle of interconnected stories. At its core lies the urgent theme of violence – violence within society, against women, and towards nature. Each story emerges through...

Can a body reclaim its own movement from the stillness imposed by Soviet Armenian monumental aesthetics? “Reflection” explores the transformation of stillness into movement, drawing inspiration from the relief on Building №9 of the National Polytechnic University of Armenia, created by architect Armen Aghalyan and sculptor Vahe Harutyunyan. The carved lines of the relief –...